There's supposed to be 6 notes or so that, played in any order with a nice C, F, G chord progression, will sound really bluesy. I think I got most of them, and got a nice boogie-woogie sound.

D minor scale with the 7th before the tonic and the 2d after the octave put me in a trance. Start low.

Thank you, thank you for bringing this to my attention.

E minor 9, or E minor 7 with an added 2d, however you want to look at, works well. Use both octaves and put the third on the top. There seem to be a lot of 1,2 combinations, so if you put the 2d (or ninth, since it's a 7th chord) on integer 2, the E minor tonality is clear, but with a cool dissonance.

Nice. And putting the third up an octave, establishing the minor mode on a high note, qualifies the melancholy in an interesting way. Digit 8 comes kind of late in pi and I used the third with that digit to draw out the inconclusivity.

I'm much fonder of d, though; aeolian (I think - b6 AND b7). It's my favorite key.

Merry Christmas to you and yours, Russ. And a fair amount of liberal debauchery, just for the fun of it.

Try opening two windows of this, and playing both at once...

Holy "come out to show them."